The best part of timber framing is, of course, the finished product. Raising up a timber frame is an exciting prospect, even a tiny project like this. I finally had time in the late summer and early fall to wrap up work on the charred oak timber frame that our intrepid students started in our summer Timber Frame Workshop. My excitement hit a peak when the day came to stand things up.
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Oliver Goshey of Adundant Edge recently interviewed me for his podcast series. In our chat, we talked about the reality (or realities) of natural building, including the importance of building for your climate, the true cost of building a natural home, and some common misconceptions about natural materials. One piece of our conversation focuses on getting real about the expenses associated with natural building and the myth of the “$1000 house” (for lack of a better term). Although materials may be affordable, labor costs can be spendy for folks who aren’t able to do the work themselves.
We also talk some about the shou-sugi-ban wood preservation methods I’ve been experimenting with lately. Check out the full interview and tell me what you think. Questions and comments welcome.
Listen here: The reality of natural building and designing for your climate with Ziggy Liloia from “The Year of Mud”
Yakisugi is a traditional method of wood preservation. Charring wood is not specific to Japan, but charring sugi (Japanese cypress) for cladding use is a traditional feature of some Japanese architecture. It’s been used primarily for practical reasons — charred wood is less susceptible to rot and moisture damage, insect damage, and ironically enough, it’s more resistant to fire. Plus, it looks pretty badass if you ask me.
I first saw a video of a guy burning sugi boards several years ago and was entranced. I knew that I wanted to try it sometime, and I decided to use our first timber frame as an experiment. So I bought a torch and lit up our white oak timbers. Read ahead for more…
If you’re thrifty and building a timber frame structure for yourself, you’re most likely going to buy green (or unseasoned) timbers from a local sawmill. If you’re lucky, you might acquire timbers from a bandsaw mill, which produces relatively clean cuts when compared to a circular sawmill. However, if you’re not partial to the rough sawn look and texture, you have a few options to smooth and finish the timbers. Perhaps the most economical option is to plane the timbers yourself, but how?
6×6, 8×8 and larger sized timbers can be intimidating to consider planing. There’s always a hand plane, but that is challenging work for more than a few pieces or tough wood like oak. I was faced with this dilemma and opted for the electric hand planer route, picking up a Triton TPL180. The TPL180 is a 7″ wide electric hand planer designed for large dimension lumber. Here are my impressions of the tool.
If you’re building a timber frame with hand tools, it’s helpful to have a few types of hand saws in your arsenal. There are many many types of saws that you could use, and at the end of the day it boils down to personal preference. Me? I like to try new tools from time to time, and these are two that I find very effective in the cutting process — a Japanese anahiki saw (or timber saw), and a Japanese ryoba saw (or two sided saw).
We just wrapped up our 7 day Timber Frame Workshop and I’m finally catching my breath. Whew. Timber framing has a steep learning curve so it’s not the kind of thing you can easily jump into, willy-nilly. It takes some warming up and getting used to lots of new terms, tools, methodologies, etc.
Timber framing is, first and foremost, an exercise in visualization. Looking at plans and applying layout to a timber, imagining a timber oriented in the building — these are all skills that take some time to hone. It’s a totally different way to approach building the bones of a house because everything is laid out and cut in advance of the pieces being assembled. So it’s immensely helpful to be able to see things in your mind, before they exist in front of you. Essential, even.
White oak is impressively heavy. Green white oak timbers are that much heavier. Today we got our order of white oak, pine, and sassafras, in-between massive bouts of rain. There was flash flooding for most of the day except for a tiny window in which we were able to get 10,000+ pounds of timber on-site and loaded off the trailer. I’m thrilled this day is behind me now. Jeez. Onto the next step! (All of the wood is not pictured here, by the way.)
p.s. The “wedding tent” is still going strong after all these years! Granted, we replaced the canopy once, but… this thing has been a lifesaver for shade and rain protection during our workshops. So goofy looking. Maybe a barn is in order next year?
p.p.s. Oh, how do I know it’s about 10,000 pounds of wood? This handy dandy lumber weight calculator, of course.
We’re just about one month out from the start of our July Timber Frame Workshop. Happily, the pieces are starting to fall into place. This year we’re collaborating with Brice of Timber Frame HQ on this very simple and beautiful pavilion design. Brice is doing the drawing work — we’ll have super tight plans that students will be referencing during the course. I’m excited to have these plans available. Clear drawings contribute to a better understanding of the entire layout process.
A couple of weeks ago, we hosted our first Natural Building Essentials Workshop of the summer. What fun! The weather held out and we had great camping conditions, and April cooked up a veritable feast for our intrepid mudslingers. I think it’s fair to say everyone had a great time, myself included. Check out some photos of the course below!
A white clay plaster finish meets the earthen floor made with site soil
This winter, I had the chance to revisit a home that I worked on last spring. The homeowners have moved in and it was very sweet to see the house in a finished state. It’s a great feeling to contribute work and then see everything tied together in the end. The finished look is great — the earthen floor looks smooth and feels soft on the feet and the clay plastered walls add brightness and texture. Look ahead to see more pictures.
Hi there, I’m Ziggy. In 2008, I launched The Year of Mud while building my first natural home. This website is a collection of personal stories and experiences building with clay, straw, and wood over the past 15+ years. A few of the things that get me fired up are natural plasters, timber framing, & Japanese architecture. In 2012, we started offering Natural Building Workshops, so you can learn essential hands-on skills to build your own natural home.
